Through Vivid Color, Martin Wittfooth Revels in Surreal Worlds
February 6, 2026
Explore Grace Ebert
About Grace Ebert
Editorial Director Grace Ebert manages Colossal’s editorial projects and leads the Colossal Workshop series. You can find more about her here.
‘Where the World is Melting’ Documents Communities Amid Indelible Changes in the Arctic
February 4, 2026
Wenting Zhu Cultivates a Kaleidoscopic Garden of Crystals in 100+ Petri Dishes
February 3, 2026
Drawn to Symbols, Michael McGrath Conjures Uncanny Narratives
January 29, 2026
Regina Silveira Pieces Together an Evolving Narrative of Latin America
January 29, 2026
Art is Better Together: A Letter from Our Editorial Director
January 28, 2026
Dabin Ahn Lingers in Loss in a Mournful Series of Sculptural Paintings
January 27, 2026
A Delightfully Tactile Stop-Motion Music Video Pieces Together 300 Ceramic Tiles
January 26, 2026
The Language of Flowers Meets Queer Desire in Kris Knight’s Tender Portraiture
January 21, 2026
A Rotoscoped Film Underscores How Fantasy Is the Only Reprieve in Solitary Confinement
January 20, 2026
What Will Retirement Bring? An Animated Film for Those Dreaming of Work-Free Days
January 16, 2026
In ‘Funeral for a Tree,’ Steve Parker Etches Bird Song into Playable Oak Records
January 15, 2026
Through Tender Paintings and Carvings, Hilda Palafox Revels in Care and Communion
January 12, 2026
Stephanie Temma Hier Juxtaposes Uncanny Ceramic Sculptures with Embedded Paintings
January 9, 2026
‘Birds of Mexico City’ Celebrates a New Generation Defining Queerness
January 7, 2026
Luftwerk Transforms Paint and Aluminum into Radiant Explorations of Sunlight
January 5, 2026