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a ceramic chair sculpture by Stephanie Temma Heir shaped like a swan with a small painting embedded in its back
“She has good bones” (2025), oil on linen with glazed stoneware sculpture, 42 x 23 x 24 inches. All images courtesy of Anton Kern Gallery and the artist, shared with permission

Stephanie Temma Hier Juxtaposes Uncanny Ceramic Sculptures with Embedded Paintings

By marrying the realistic with the fantastical and uncanny, Stephanie Temma Hier conjures tension: there’s a calf-hair necktie that morphs into a table fan and popcorn surrounding pink ballet shoes.

The Brooklyn-based artist is formally trained as a painter and self-taught as a ceramicist, and she fuses the two modes of working into a complementary practice. Hier begins by sculpting a wide range of forms, and after several rounds of firing with both handmade and commercially available glazes, she adds a painting. The pairings arise intuitively, sometimes through free association, trial and error, or by homing in on a color.

a ceramic sculpture by Stephanie Temma Heir of a cow-printed bust-turned-fan
“Is a memory something we have or something we lost” (2025), glazed stoneware with found object, 21 x 15 x 12 inches

Earlier works include a decadent, three-tiered cake piped not with pillowy buttercream but instead trimmed with olives, sausages, and thin slices of prosciutto. There’s also a thick head of green cabbage that reveals a trio of ravenous chicks roosted in its core and a rapt snake framed by orange igneous rocks. While the artist’s depictions in both clay and paint are lifelike, the juxtapositions push the works firmly into the realm of the surreal and ambiguous.

Many of the works shown here will debut this month at Anton Kern Gallery for Hier’s solo exhibition, Swan Song. Nodding to the ancient Greek belief that the otherwise “mute” birds sing just before their deaths, the exhibition takes transformation as its starting point. Elements of Dutch still lifes appear, too, as flowers bloom and pastries and coffee are consumed across a picnic-esque surface.

Hier created the Swan Song pieces simultaneously, allowing motifs and themes to recur throughout. The titular bird, for example, appears in several works, from the feathered chair with thick, stocky webbed legs to the intimate portrait encircled by an array of speckled shoes. Together, the mixed-media pieces create a sort of domestic tableau that unsettles in its familiarity, presenting a fantastic world in which the only inevitabilities are the unexpected and change.

Swan Song is on view from January 14 to February 21 in New York. Find more from the artist on Instagram.

a detail of a ceramic chair sculpture by Stephanie Temma Heir shaped like a swan with a small painting wrapped like a gift embedded in its back
Detail of “She has good bones” (2025)
a ceramic sculpture by Stephanie Temma Heir shaped like a clock and covered in popcorn. a painting of ballet shoes sits at the center
“Eating around the problem” (2025), oil on linen with glazed stoneware sculpture, 25 1/2 x 13 x 5 inches
a ceramic sculpture by Stephanie Temma Heir featuring a plate of half eaten cake on a placemat with a cup of coffee and painting of flowers
“Something Sweet for Afterwards II” (2025), oil on linen with glazed stoneware sculpture, 12 3/4 x 18 1/4 x 3 1/2 inches
a ceramic sculpture by Stephanie Temma Heir featuring a cowprint jacket on a swan shaped hanger. a painting of hands grasping a skirt is embedded in its front
“Touch me like a habit” (2025), oil on linen with glazed stoneware and found object sculpture, 32 x 22 x 6 inches
a detail of a ceramic sculpture by Stephanie Temma Heir featuring a cowprint jacket on a swan shaped hanger
Detail of “Touch me like a habit” (2025)
two ceramic cake sculptures by Stephanie Temma Heir with bacon, sausages, hot dogs, and other meats embedded in the sides
a ceramic cabbage sculpture by Stephanie Temma Heir with a painting of a hungry baby bird at the center
a ceramic sculpture by Stephanie Temma Heir featuring a painting of a swan embedded with a smaller painting of a figure doing a handstand. the frame features speckled footwear
“Hold this position (left)” (2025), oil on linen with glazed stoneware sculpture, 60 x 44 x 8 inches
a ceramic sculpture by Stephanie Temma Heir with a painting of a snake at its center and orange bulbous edges

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