Uncanny Personalities Appear from Nature in Malene Hartmann Rasmussen’s Ceramics
January 14, 2026
Explore Kate Mothes
About Kate Mothes
In addition to her role as editor for Colossal, Kate Mothes is an independent, semi-nomadic contemporary art writer, curator, and organizer based most of the time in the Upper Midwest. She is also the founder of Young Space and a regular contributor to Arts Midwest's Creativity News Desk, Ceramics Monthly, and others. Learn more about her work at katemothes.net.
Wade into Slow-Motion Suspension and Anticipation in the Radiant Film ‘Divers’
January 13, 2026
‘Making the Invisible Visible’ Highlights an Ambitious Digitization Project at Harvard
January 13, 2026
Valerie Hammond’s ‘Waking Dreams’ Explores Surreal Visions of Nature at the Cusp of Sleep
January 12, 2026
Check Out Colossal’s New Image Slideshow Feature
January 12, 2026
Derrick Guild Summons Historical Portraits in Fragmented Trompe-l’œil Paintings
January 9, 2026
Dennis Lehtonen’s Aerial Views of Remote Greenland Villages Illuminate an Evolving Land
January 8, 2026
Step Into a Uniquely Cavernous House Installation by Japanese Art Collective 目
January 8, 2026
Paintings on Antique Navigational Tools Are a Poetic Nod to Bird Migration by Steeven Salvat
January 7, 2026
The Verdant ‘Lost World’ of Minnie Evans Comes Alive in Vivid Mixed-Media Drawings
January 7, 2026
‘Gold from Newton’s Apple Tree’ Traces Natural Pigment Recipes from the Ancient World to Today
January 6, 2026
Stephen Towns’ Quilted Works Emphasize Black Joy as Resistance in ‘Safer Waters’
January 6, 2026
Hope and Love Prevail During a Terrible Historic Era in the Short Film ‘Father’s Letters’
January 6, 2026
‘The Atlas of World Embroidery’ Traces the Global History of the Art Form
January 5, 2026
Traditional Indian Basketweaving Techniques Translate into Contemporary Installations
January 5, 2026
Terry Facey Painstakingly Replicates a 17th-Century Marquetry Table at 1:8 Scale
January 2, 2026